Atlantic City Memories

I have been fascinated with Mr. Peanut ever since I first encountered him as a young child on a trip to Atlantic City with my father and sister. It was a magical day on the boardwalk, long before the casinos arrived. On Steel Pier I remember watching a woman on horseback diving into the water, taking a sepia toned photo with my sister inside a make believe jail where we were holding my father prisoner and another where we were poking our heads through carnival cutouts. We even went down under water in the mysterious diving bell! Anyone familiar with vintage Atlantic City will surely remember these amusement park wonders.

 

What sticks out most in my memory however, was walking past the Planters Peanut shop and seeing black spindly legs with spats and slowly looking up to see a gigantic peanut man towering above me: head silently bobbing back and forth with dark holes where his eyes should be. It was terrifying but for some reason instead of being traumatized by this experience,  I instead became fascinated to the point of obsession as the years went by. I collected Mr. Peanut ephemera and even had the chance to design a vintage Mr Peanut print for Nick & Nora pajamas years later licensed by Planters that remains one of my all time favorite prints.

 

This portrait was my homage to the Mr Peanut costume of the 1960’s that I remember so well. It conjures up for me the smell of roasting peanuts and the touch of the salty breeze from the ocean on my skin. It has since become one of the most popular prints in my Etsy shop and even led to a private commission for a similar portrait (holding the bag of peanuts). I can only imagine that it is because there are many of you out there that share fond memories of Atlantic City and

it’s neighboring towns and boardwalks during the glory days of the Jersey Shore.

Mr-Peanut-detail.jpg
Diving Horse Atlantic City
Planters Peanuts Atlantic City
Diving Bell Atlantic City
Steel Pier Atlantic City

Cleaning House, Etsy Style

www.curiousportraits.etsy.com I am always reading articles on Etsy's blog about having great photos for your listings. Since my items are all prints of my artwork I didn't think there was much I could do to improve them. A few weeks ago I had some extra time and decided to look over my shop with a critical eye.  I realized  that my jewelry listings were abominable! When I first began to carry jewelry I was so overwhelmed with all the details of finding the proper supplies, deciding how to package them in an appealing way, and how to photograph them properly. I found that it was very difficult to get a good clear photo (with the camera I had at the time).  I did however want to get them up and running to see how they would do, intending to polish the listings up later so I just photographed them all against a soft blue suede background. Two years later I realize that they continue to sell well despite the terrible photos so I thought it was about time to do some polishing! I decided to put cheery backgrounds behind them in polka dots, stripes and damasks that I thought helped to convey the feeling of the image. With a little help from Photoshop (and my new camera which I love, a simple point and shoot Nikon Coolpix S8200 ). It has a terrific wide angle that allows super close up shots and in just about every setting allows you to adjust the color balance and light exposure which is important especially when you don't use a flash. It was so much fun putting in the backgrounds and seeing them come to life. The good news is that with these new flashy listings sales have definitely  gone up so I am grateful to Etsy for all those inspiring and motivational articles ! I have included a sample of the before and after of my Christmas Elf Squirrel so you can see the difference.

Christmas Elf Squirrel before and after

www.curiousportraits.etsy.com

www.curiousportraits.etsy.com

www.curiousportraits.etsy.com

www.curiousportraits.etsy.com

www.curiousportraits.etsy.com

www.curiousportraits.etsy.com

My obsession with salt & pepper shakers continues

Now I know full well that I do not NEED any new vintage salt and pepper shakers but when I saw these gorgeous lobster claws on Etsy I simply had to have them! In fact I have been looking for the perfect set of lobster claws for years but they are usually too large, too orange, to worn out or have words and advertising on them. These however are perfection right down to their deep ruby red color! I guess finding the perfect object after years of searching is the thrill of being a collector. I have to admit that my collection of shakers makes me very happy. I look forward to putting out my pumpkin heads and ghosts at Halloween and my varied Santas at Christmas. I even have a pair of turkeys...

Of course Mr. Peanut must make an appearance....

These 2 humble red and green fellows are my everyday shakers. I bought them this year and they bring me endless joy every time I use them. The color of their caps is just the right vintage shade and they look so pretty in front of the aqua lamp.

Mr. Peanut Portrait Finished

I have just finished the first Mr. Peanut portrait and I can't wait to begin the second. I decided to do it in color (as opposed to just sepia tones which I was considering) but I kept it on the dark side to give it an aged look. I think it captures the essence of the Mr. Peanut man I remember as a child when I didn't realize that it was actually a human in a costume.

Mr Peanut portrait 1
Mr Peanut portrait 1

Mr. Peanut

Due to a series of unfortunate events this is the first post for the new year. 2011 began for me with an abscess tooth which ultimately had to be pulled. Surprisingly this was NOT the tooth that broke the week before Christmas so I had 2 to take care of on opposite sides of my mouth. For this reason I ended up taking a break from my artwork for a few weeks but now that I'm feeling better my creativity is returning. I am beginning the year with a pair of portraits that may be the most curious I've done so far. They are portraits of one of my favorite subjects: Mr. Peanut. My long fascination with him began when I was a little girl and my Father took my Sister and Me to Atlantic City for the day. It was a big event for us and a sort of family tradition as he had also taken my Brother when he was a kid. This was back in the early 1960's when Atlantic City was a real amusement park like Coney Island. I remember that  at Steel Pier we went down under the water in the Diving Bell, posed for old fashioned photos as old west sheriffs with my Father behind bars as the prisoner and watched a woman dive off the pier on a horse. It was a magical day but the most memorable part was meeting Mr. Peanut for the first time. I admit to being a bit terrified of him back then. You have to imaging being a 5 or 6 year old child seeing this gigantic peanut with dark, un-seeing eyes lumbering toward you on spindly black legs. He was silently menacing with a sort of black screen over the monacle and eye hole. In those days the Mr. Peanut people didn't talk to you, they just bobbed their giant peanut bodies up and down in a gesture of greeting. Since then I have have not only come to terms with my fear but actually embraced Mr. Peanut as a nostalgic representative of my childhood. I have a Mr. Peanut mechanical pencil that I love drawing with (except that I cannot find lead to fit it any more), I have a set of Mr. Peanut salt and pepper shakers and even bought a silver ashtray in a curio shop in Amsterdam. The shop owner had originally purchased it in Brooklyn and brought it back to Amsterdam where I bought it and brought it right back to New York!

As you can see he has been on my mind for a number of years but I was never sure how I wanted to portray him. For this pair of portraits I felt it was important to portray the Mr. Peanut that I best remember which is as the actual costume.  There have been several versions over the years but after much research I've found the type that I believe was used in the early 1960's.  I thought it would also be interesting to put a skyline of Atlantic City in it's hey day in the background and some striped bunting to lighten it up and make him seem less frightening. I've only gotten the sepia underpainting on the first portrait finished so far and I like it so much I am considering not putting in color at all. We'll see..